'World Famous on ArterNet Art' - Paige Ring - is our Featured Guest Artist
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| 'One Fine Day' 16" x 12" |
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| Paige Ring. Artist & Designer |
Paige is a self-taught abstract expressionist painter
living in Toronto, ON. Her work is inspired by minimalism, aesthetically and functionally.
Paige studied historic costume design at Dalhousie University, then went on to study and work in fashion design.
Cloth was the first medium she truly learned to appreciate. Using just a roll of all white canvas, she could layer, pleat, fold, drape, and ultimately turn it into a really complex piece of art. It really developed her appreciation for how complex simple things can be.
Paige applies this concept of minimal complexity to her fine art practice.
ArterNet Art: Hi Paige, it's great to have you take the time to chat with us today.
A bit about our company: we're an online art gallery, with a difference - the culture of our company - ArterNet Art -
is to put a human face to all our members and featured guest artists.
We feel it's very important for artist members of ArterNet Art to meet established and inspiring artists, in order to learn more about how they became the artist we see today.
What were their challenges, their ideals,
their twists and turns, etc.
This is why we love these interview chats and why they are
proving to be so popular. So without further ado: Paige,
can you give our readers an idea of your route to becoming
an artist?
Paige: Absolutely. I started creating early in life, I actually don’t remember a time when I wasn’t making something as a child. Illustration was always something I was drawn to, but also textiles.
When I was a kid I’d take my clothes apart and make new ones, so I was often wearing something I made myself. When it was time to go to University I opted for Costume Studies at Dalhousie University, where I learned pattern making and historic clothing techniques.
Cloth was the first medium I truly learned to
appreciate. Using just a roll of all white canvas, I could layer, pleat, fold,
drape, and ultimately turn it into a really complex piece of art. It really
developed my appreciation for how complex simple things can be, and this is a
perspective I've learned to seek in my fine art practice.
I moved to Toronto afterward I graduated to pursue fashion design, and ended up working at a few high end brands developing their clothing lines. Eventually I moved to one of Canada’s largest retailers and was in charge of development for their junior ladies line. Although I do love creating clothing, the fashion industry ultimately wasn’t for me.
I decided to go back to school for graphic design, and something clicked when I started using my hands again to create marks, lettering and illustration.
That turned eventually
to painting, and I haven’t looked back.
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| 'Dancing in the Moonlight' 16 x 12 |
Have you had to overcome any difficulties or
major hurdles on your journey to becoming the successful, established artist we
see today?
Paige: I consider myself extremely lucky that I haven’t had any major hurdles to contend with. I’d say the one thing that was tough, and a pivotal moment in my journey, was deciding to give up a successful career in fashion to pursue something else.
I think as adults we’re told to pick a career and stick to it, and that makes giving up something we know is secure, a little scary. Making that move was honestly one of the best decisions I’ve ever made though.
Who knows if I would have found my way to the
canvas if I didn’t?
ArterNet Art: That is so true. Can you tell us about the medium you choose to work
with and what was it that attracted you to use it?
Paige: I work primarily in acrylic, oil pastel, charcoal
and inks. I used to work in resin but the drying time was significant (and I’m
kind of impatient!)
I love acrylics because they dry fast and layer well. I do use a lot of mixed media supplies for mark making, pretty much anything that will make a mark has found its way into my supplies. I scratch and scrape surfaces and I also love collage in paper and fabric.
My medium is forever
shifting as I find new supplies that inspire me. I have been drawn to raw
canvas lately so currently my studio walls are covered with that.
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| 'Strawberry Fields' 48 x 30" |
ArterNet Art: Do you have a daily routine? Has it always
been this way and can you tell our readers how your day looks?.
Paige: I’m into routines and actually spend a lot of time crafting them in and out of the studio. For my art practice and studio routine, I always try to carve out time every day to do some kind of art, even if it’s not a full painting.
Just 15 minutes of being in the studio usually turns into
much longer. In the mornings I wake up early, meditate and have coffee with my
cat, Fiz. I usually respond to emails before I do any studio work.
Before I start creating I find a playlist. I find sound is
the best way for me to cut out other distractions. I tidy the space, moving
pieces I’m not actively working out of view. That might sound a bit strange but
I don’t like to be influenced too much by older work, or work that’s not part
of the group I’m working on. I usually paint for a few hours, and take a break
to let the work dry and come back with fresh eyes.
I have high flow days and low ones. The low ones
are… annoying. It almost feels like a chore to get paint on my palette. I
try not to stress too much about those days though, there’s enough of the high
flow days that I just use the low days to do less creative tasks like framing
or photographing.
ArterNet Art: Can you share some techniques and insights
into your process from conception to creation
Paige: I work in loose collections, meaning I’ll start a larger number of pieces at once, moving from piece to piece, not finishing any right away. I’ll usually work through the stages of finishing several at one time. I have a few different bodies of work, one is very several light, hyper blended layers. So light you can see the grain of the canvas.
The other is
thicker, heavy layers of paint that I scratch and scrape through. I love both,
and really it just depends on my mood which I gravitate towards. I’d say that
the one thing both have in common is subtraction. I often blockout, or subtract
areas to find my final composition. Minimalism is always somewhere in the back
of my mind when I get to the finishing stages.
Each time I looked at a piece, I wanted to feel something different, something that I didn't even intend while creating.
Slowing down to
focus and appreciate how complex simple things can be is really important to
me, and my work, and I hope those who view my work feel the same.
Color tells a story all on its own, the technique of how the color is applied, smooth and soft vs bold and loose, gives that story life.
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| Process shot 1 of 'A Few Dark Edges' |
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| Process shot 2 of 'A Few Dark Edges' |
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| Process shot of a different piece. |
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| Studio Pastels |
Paige: I’m very interested in the process of creating, and less about the final product. As a result my process changes often. I started working in ink and resin, and shifted my process many times since.
My aesthetic
is similar but the materials and how I get there is always evolving. I’m
interested in minimalism so I’m always looking for ways to simplify shapes. The
layers underneath are usually chaos, but I aim for simplicity for the finished
piece.
ArterNet Art: Is there anything in particular that inspires
you to create art?
Paige: I never know how to answer this question, because it’s kind of everything and nothing at the same time. I couldn’t pinpoint one specific thing that inspires me, but I do know I work best when I’m in the right mindset or mood. I’m really influenced by color, I can be a bit obsessive about certain shades and how they pair with other colors.
I like to mix my own
shades, that part of the process is very important to me. I used to match dye
lots in my fashion days, so perhaps it comes from that.
ArterNet Art: What has been your favourite or most
memorable art sale?
Paige: I’m not sure I have a favorite sale, but I’d say
the pieces that were bought early on by my friends are ones I remember fondly.
Just because it’s such a beautiful thing to support the people you love when
they’re developing a business in the arts.
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| 'Off the Beaten Track' Raw Canvas 48" x 36" |
Paige: I consider myself very fortunate that Covid didn’t impact me, my family, or my business too much. I’m lucky that I work from home, so the shelter in place lockdowns really didn’t change much for me.
Of course I
delayed some things I might have been doing in person, such as a residency in
France I was accepted to, and some art shows. However, seeing what the rest of
my community went through, and some of the hardships others faced, those things
seem pretty minor in comparison.
ArterNet Art: Do you have any hobbies, sports or interests
other than art?
Paige: I’m not a sports person. I do yoga and meditate, but group activities aren’t really my jam. I’d say most of my hobbies revolve around some type of art, like sewing or pottery.
I just got a piano, I haven’t
played since I was a child so I'm looking forward to dabbling with that a bit
to see if I can tap into a different type of creative flow.
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| Process shot 'Serious Contemplation' 60 x 48 |
ArterNet Art: The piano sounds like a great idea, so what plans and goals do you have for the
future, both creatively and personal?
Paige: I’d love to get back to seeing art shows (and
artists) in person again. I’m also looking forward to the France residency when
traveling abroad is a bit more stable, and travel in general.
ArterNet Art: Going back to when you first started out and
knowing what you know now, what would you do differently and what advice would
you give to an aspiring new artist?
Paige: I don’t know that I’d do anything differently. Going way back I’d take more art classes when I was a kid. While I made a lot of mistakes on my journey, I think those are part of learning so I wouldn’t want to reverse them.
If I had a time machine though, I’d probably tell Paige
of the past to find the courage to start a YouTube channel, and start a mailing
list sooner.
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| 'Coral Off The Coast' 60" x 30" |
ArterNet Art: That's good advice, Paige. Also for our new artists, can you share some
tips on how you marketed yourself, when you first started out. What are two or
three things you tried that worked amazingly well?
Paige: When I first started I wasn’t really trying to “market”, I was really just experimenting with techniques and photographing or videoing my process to share on Instagram. I was pretty honest about what I was doing and answered a lot of questions when people asked me about process and materials, which I think helped.
I can’t say there’s any specific formula that
works for everyone, but a few things I think are good to know are:
Post regularly on your channels, and respond to people.
Build a community of people that don’t just support you, but that you support
as well.
Set up a basic website with your name and post your work.
It doesn’t have to be fancy but having a place people can go to learn more
about you will be important when you start growing your business.
Build out your email list early, even if you’re not ready
to send emails. Start collecting sign-ups because those are your people. They
want to hear from you and see how you’re growing.
Create lots of work, and share it, don’t worry about your brand, your audience, or marketing techniques when you first start out. Stressing about making things perfect, is a great way to never start anything.
Art is the most important element, and if you’re creating work consistently
you’ll have things to share and conversations to have. Those other pieces will
be there when you have a handle on your craft.
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| Process shot Creating 'Morning Frost' Diptych Each one is 48" x 36" |
ArterNet Art: More great advice to newbies. Do you have any quotes you live by or
practice?
Paige: I kind of have 2 statements that I try to
repeat to myself often.
Just Show Up. I guess it’s my version of Just Do It. I
find that when I’m not feeling the creative flow, sometimes just walking into
the studio helps shift that. If I show up, there’s a pretty good chance I’ll
make something.
Make Cool Shit. This one is… self explanatory. But to me, it’s about not stressing over making something good, it’s about creating something that I love, something that gets me excited.
Sometimes it’s good,
sometimes it’s not, it’s all part of the process.
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| 'Wild and Free' collection each one is 16" x 20" |
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